The Cherry Orchard: every role by lines, words, and stage time
Anton Chekhov, translated by Constance Garnett. 19 speaking roles, 13,486 words, about 96 minutes of speech.
The Offbook team
Oct 8, 2026
Lopahin has the most to say in The Cherry Orchard: about 305 lines and 2,595 words, 19.2% of the play. The Cherry Orchard follows a family that cannot bring itself to save its estate before it is sold. It is a true ensemble: Lopahin and Lyubov share the lead almost exactly, each with about a fifth of the words, and the six largest roles all speak in every act. Trofimov and Gaev follow with about a tenth each.
- Speaking roles
- 19
- Scenes
- 4
- Words
- 13,486
- Speech time
- 96 min
Every role, largest first
| Role | Lines | Words | Share | Minutes | Scenes |
|---|---|---|---|---|---|
| Lopahin | 305 | 2,595 | 19.2% | 18.5 | 4 |
| Lyubov | 306 | 2,531 | 18.8% | 18.1 | 4 |
| Trofimov | 184 | 1,542 | 11.4% | 11.0 | 4 |
| Gaev | 171 | 1,346 | 10% | 9.6 | 4 |
| Varya | 148 | 1,156 | 8.6% | 8.3 | 4 |
| Anya | 123 | 943 | 7% | 6.7 | 4 |
| Pishtchik | 91 | 771 | 5.7% | 5.5 | 3 |
| Epihodov | 66 | 576 | 4.3% | 4.1 | 4 |
| Dunyasha | 73 | 561 | 4.2% | 4.0 | 4 |
| Firs | 65 | 515 | 3.8% | 3.7 | 4 |
| Yasha | 66 | 498 | 3.7% | 3.6 | 4 |
| Charlotta | 46 | 376 | 2.8% | 2.7 | 4 |
| Wayfarer | 7 | 48 | 0.4% | 0.3 | 1 |
| Voice | 1 | 7 | 0.1% | 0.1 | 1 |
| Varya’s Voice | 2 | 6 | 0% | 0.0 | 1 |
| Voices from Larger Room | 1 | 5 | 0% | 0.0 | 1 |
| Station Master | 1 | 4 | 0% | 0.0 | 1 |
| Voice of Trofimov | 2 | 4 | 0% | 0.0 | 1 |
| Voice of Anya | 2 | 2 | 0% | 0.0 | 1 |
Who speaks in which scene
Darker cells mean more words in that scene. Use it to plan rehearsal calls, or to see how long an actor waits between entrances.
| Role | Act 1 | Act 2 | Act 3 | Act 4 |
|---|---|---|---|---|
| Lopahin | ||||
| Lyubov | ||||
| Trofimov | ||||
| Gaev | ||||
| Varya | ||||
| Anya | ||||
| Pishtchik | ||||
| Epihodov | ||||
| Dunyasha | ||||
| Firs | ||||
| Yasha | ||||
| Charlotta |
The longest speeches
| Speech | Scene | Words | Lines |
|---|---|---|---|
| Lopahin: “I have bought it! Wait a bit, ladies and gentl…” | Act 3 | 281 | 29 |
| Trofimov: “Humanity progresses, perfecting its powers. Ev…” | Act 2 | 238 | 24 |
| Lopahin: “No, what with the luggage and one thing and an…” | Act 1 | 206 | 21 |
| Lyubov: “Oh, my sins! I’ve always thrown my money away …” | Act 2 | 203 | 21 |
| Trofimov: “All Russia is our garden. The earth is great a…” | Act 2 | 185 | 19 |
| Lyubov: “What truth? You see where the truth lies, but …” | Act 3 | 145 | 15 |
| Lyubov: “That’s a telegram from Paris. I get one every …” | Act 3 | 144 | 15 |
| Lopahin: “I want to tell you something very pleasant and…” | Act 1 | 139 | 14 |
| Varya: “We must go to bed. I’m going. Something unplea…” | Act 1 | 130 | 13 |
| Charlotta: “I haven’t a real passport of my own, and I don…” | Act 2 | 126 | 13 |
Small roles that can be doubled
These pairs of small roles never speak in the same scene, so one actor could play both. Check entrances and silent appearances in your script before you cast it this way.
- Wayfarer and Voice
- Wayfarer and Voices from Larger Room
- Wayfarer and Station Master
- Wayfarer and Voice of Trofimov
- Wayfarer and Voice of Anya
- Voice and Varya’s Voice
- Voice and Voice of Trofimov
- Voice and Voice of Anya
- Varya’s Voice and Voices from Larger Room
- Varya’s Voice and Station Master
- Varya’s Voice and Voice of Trofimov
- Varya’s Voice and Voice of Anya
Questions actors ask
Who has the most lines in The Cherry Orchard?
Lopahin, with about 305 lines and 2,595 words, 19.2% of everything spoken in the play. Lyubov is next, with about 306 lines (18.8%).
How long is The Cherry Orchard?
The full text has 13,486 spoken words, about 96 minutes at 140 words a minute before pauses, scene changes, and cuts. Most productions cut the text, so running times vary.
How many speaking roles are in The Cherry Orchard?
19 named roles speak in this edition, across 4 scenes. 7 of them have less than 2% of the words, which is why small parts are often doubled.
Keep reading
- The Seagull: every role by lines, words, and stage timeAnton Chekhov. Line counts, scenes, and the longest speeches.
- Three Sisters: every role by lines, words, and stage timeAnton Chekhov. Line counts, scenes, and the longest speeches.
- Given Circumstances: How to Find Them in a Script and Use ThemWhat given circumstances are, how to separate the facts a script hands you from the choices you make, where the facts hide in the text, and how to turn them into behavior you can play, with a worked scene from The Cherry Orchard.
- Acting for Shot Sizes: Adjusting Your Performance from Wide to Close-UpWhat changes in your performance as the frame tightens from a wide shot to a close-up, why you should ask what frame you’re in, where your eyes go in each size, how to frame a self-tape, and a drill with a quiet moment from The Cherry Orchard played at three sizes.