Play library

Acting scripts to practice: free scenes for two actors

Real scenes from classic plays, with the setup, the characters, where to find them, and how long each one runs.

The Offbook team

Oct 18, 2026

The hardest part of practicing a scene is often finding one: something with two strong parts, a clear fight or want, and a length you can learn this week. Every scene below comes from a play in the public domain, so the text is free to read, copy, and perform.

Each entry tells you what is going on in one line, who speaks, where it sits in the play, and how long it runs out loud. The play page next to it shows how big each part is across the whole play, and the free text is one click away.

There are 28 scenes here: 9 two-person comedy scenes, 14 two-person dramatic scenes, and 5 scenes for three or more actors, plus a list of the short ones.

How to practice a script on your own

  1. Read the scene once for the story, then once out loud for the sound. Say what each character wants in one plain sentence before you learn a word.
  2. Find your cues. A cue is the last few words before you speak; it tells you when to come in. The cue script maker turns any scene into your lines with their cues.
  3. Learn your lines in short runs, cue first: read the cue, say your line without looking, then check it. The first-letter memorizer gives you a version to test yourself from.
  4. Run the whole scene at speaking pace, out loud, with someone (or something) saying the other part. Running it in your head hides the places where you go blank.
  5. Swap parts. Playing the other character once shows you what they want from you, and makes your own reactions sharper.

For more on rehearsing without a partner, read how to rehearse a scene alone and how to prepare a scene for acting class.

Two-person comedy scenes

Scenes written to be played for laughs, from comedies and from the lighter moments of tragedies. The comedy is in the timing, so run these faster than feels safe.

Petruchio woos Kate

The Taming of the Shrew, William Shakespeare · Act 2, Scene 1

Petruchio has settled the dowry with Katharina’s father before meeting her. Alone together for the first time, they trade insults at speed, and he will not take no for an answer.

Characters
Petruchio and Katharina
Length
About 5.6 minutes, 788 words
Words per part
Petruchio 554 · Katharina 234
Starts
Petruchio: “Good morrow, Kate; for that’s your name, I hear.”
Ends
Petruchio: “… make denial; / I must and will have Katharina to my wife.”

Free text of the play · Petruchio’s part · Katharina’s part

Viola brings Orsino’s message to Olivia

Twelfth Night, William Shakespeare · Act 1, Scene 5

Viola, disguised as the young man Cesario, has come to plead Orsino’s love to Olivia. Olivia will not love Orsino, and by the end she is taken with the messenger instead.

Characters
Viola and Olivia, with one speech for Maria
Length
About 7.0 minutes, 976 words
Words per part
Viola 555 · Olivia 412
Starts
Viola: “The honourable lady of the house, which is she?”
Ends
Viola: “… fervour, like my master’s, be / Placed in contempt! Farewell, fair cruelty.”

Free text of the play · Viola’s part

Helena follows Demetrius into the wood

A Midsummer Night’s Dream, William Shakespeare · Act 2, Scene 1

Demetrius has come into the wood at night to find Hermia, and Helena has followed him. He tries every insult and threat to shake her off; she loves him the more for each one.

Characters
Helena and Demetrius
Length
About 3.4 minutes, 482 words
Words per part
Helena 292 · Demetrius 190
Starts
Demetrius: “I love thee not, therefore pursue me not. / Where is Lysander …”
Ends
Helena: “… of hell, / To die upon the hand I love so well.”

Free text of the play · Helena’s part

Lady Bracknell interviews Jack

The Importance of Being Earnest, Oscar Wilde · Act 1

Jack has just proposed to Gwendolen, and her mother questions him as a suitor: his income, his house, his politics, and his parents, until she learns he was found as a baby in a handbag.

Characters
Lady Bracknell and Jack
Length
About 7.4 minutes, 1,039 words
Words per part
Lady Bracknell 675 · Jack 364
Starts
Lady Bracknell: “You can take a seat, Mr. Worthing.”
Ends
Lady Bracknell: “… cloakroom, and form an alliance with a parcel? Good morning, Mr. Worthing!”

Free text of the play · Lady Bracknell’s part

Gwendolen and Cecily take tea

The Importance of Being Earnest, Oscar Wilde · Act 2

Gwendolen and Cecily meet for the first time and promise to be great friends, then discover they are both engaged to “Ernest” and fight it out over the tea things.

Characters
Gwendolen and Cecily, with one speech for Merriman
Length
About 9.7 minutes, 1,359 words
Words per part
Gwendolen 867 · Cecily 484
Starts
Cecily: “Pray let me introduce myself to you. My name is Cecily Cardew.”
Ends
Cecily: “… many other calls of a similar character to make in the neighbourhood.”

Free text of the play

Sir Peter and Lady Teazle quarrel

The School for Scandal, Richard Brinsley Sheridan · Act 2, Scene 1

Sir Peter Teazle scolds his young wife, a country squire’s daughter, for her spending in town, down to flowers in winter. She answers every charge, and leaves him for a party at Lady Sneerwell’s.

Characters
Sir Peter and Lady Teazle
Length
About 7.3 minutes, 1,020 words
Words per part
Sir Peter 539 · Lady Teazle 481
Starts
Sir Peter: “Lady Teazle, Lady Teazle, I’ll not bear it!”
Ends
Sir Peter: “… as when she is doing everything in her power to plague me.”

Free text of the play

Tartuffe declares himself to Elmire

Tartuffe, Molière, translated by Curtis Hidden Page · Act 3, Scene 3

Elmire meets the pious Tartuffe in private to ask about her husband’s plan to marry him to her stepdaughter Mariane. Instead he declares his love for Elmire, and she uses it to strike a bargain.

Characters
Tartuffe and Elmire
Length
About 8.0 minutes, 1,123 words
Words per part
Tartuffe 813 · Elmire 310
Starts
Tartuffe: “May Heaven’s overflowing kindness ever / Give you good health of body …”
Ends
Elmire: “… / By which you hope to win another’s rights; / And …”

Free text of the play

The chocolate cream soldier

Arms and the Man, George Bernard Shaw · Act 1

A Swiss soldier fleeing the battle has hidden in Raina’s bedroom, and the search party has just left. He carries chocolate instead of cartridges, and he laughs at the cavalry charge led by the man she is engaged to.

Characters
Bluntschli and Raina
Length
About 9.3 minutes, 1,302 words
Words per part
Bluntschli 925 · Raina 377
Starts
Bluntschli: “A narrow shave; but a miss is as good as a mile. …”
Ends
Raina: “… it takes less courage to climb down than to face capture—remember that.”

Free text of the play

Juliet waits for the Nurse’s news

Romeo and Juliet, William Shakespeare · Act 2, Scene 5

Juliet sent the Nurse to Romeo at nine and has waited three hours to hear whether he will marry her. The Nurse is back, and complains about her aching bones before she gives the answer.

Characters
Juliet and Nurse
Length
About 4.8 minutes, 671 words
Words per part
Juliet 353 · Nurse 318
Starts
Juliet: “The clock struck nine when I did send the nurse; / In …”
Ends
Juliet: “Hie to high fortune! Honest nurse, farewell.”

Free text of the play · Juliet’s part

Two-person dramatic scenes

Scenes where something serious is at stake between two people: a murder, a marriage, a betrayal, a choice that cannot be undone.

Get thee to a nunnery

Hamlet, William Shakespeare · Act 3, Scene 1

Polonius and the King have placed Ophelia where Hamlet will find her, and they listen in hiding. She tries to give back the gifts he gave her, and he turns on her.

Characters
Hamlet and Ophelia
Length
About 4.3 minutes, 599 words
Words per part
Hamlet 378 · Ophelia 221
Starts
Hamlet: “The fair Ophelia! Nymph, in thy orisons / Be all my sins …”
Ends
Ophelia: “… / To have seen what I have seen, see what I see!”

Free text of the play · Ophelia’s monologue, “O, what a noble mind is here o’erthrown!” · Hamlet’s part · Ophelia’s part

We will proceed no further

Macbeth, William Shakespeare · Act 1, Scene 7

King Duncan is a guest in the castle, and Macbeth has decided not to kill him. Lady Macbeth calls him a coward and lays out the plan until he agrees to the murder.

Characters
Lady Macbeth and Macbeth
Length
About 3.3 minutes, 467 words
Words per part
Lady Macbeth 327 · Macbeth 140
Starts
Macbeth: “How now! what news?”
Ends
Macbeth: “… show: / False face must hide what the false heart doth know.”

Free text of the play · Macbeth’s part · Lady Macbeth’s part

I have done the deed

Macbeth, William Shakespeare · Act 2, Scene 2

Lady Macbeth waits in the dark while Macbeth kills Duncan. He comes back shaken, still holding the bloody daggers, and she has to take them back to the room herself.

Characters
Lady Macbeth and Macbeth
Length
About 4.4 minutes, 616 words
Words per part
Lady Macbeth 339 · Macbeth 277
Starts
Lady Macbeth: “That which hath made them drunk hath made me bold; / What …”
Ends
Macbeth: “… know myself. / Wake Duncan with thy knocking! I would thou couldst!”

Free text of the play · Macbeth’s part · Lady Macbeth’s part

Romeo and Juliet meet

Romeo and Juliet, William Shakespeare · Act 1, Scene 5

At the Capulet feast, Romeo takes Juliet’s hand. Their first words to each other form a sonnet they share between them, and it ends in a kiss.

Characters
Romeo and Juliet
Length
About 1.1 minutes, 155 words
Words per part
Romeo 90 · Juliet 65
Starts
Romeo: “If I profane with my unworthiest hand / This holy shrine, the …”
Ends
Juliet: “You kiss by the book.”

Free text of the play · Romeo’s part · Juliet’s part

It was the lark

Romeo and Juliet, William Shakespeare · Act 3, Scene 5

Dawn after their wedding night. Romeo is banished and will be put to death if he is found in Verona, but Juliet wants him to stay a little longer.

Characters
Juliet and Romeo
Length
About 2.2 minutes, 307 words
Words per part
Juliet 166 · Romeo 141
Starts
Juliet: “Wilt thou be gone? it is not yet near day: / It …”
Ends
Romeo: “More light and light; more dark and dark our woes!”

Free text of the play · Romeo’s part · Juliet’s part

The willow song

Othello, William Shakespeare · Act 4, Scene 3

Othello has ordered Desdemona to bed and told her to send Emilia away. As Emilia helps her undress, Desdemona sings the willow song and asks whether any wife would really betray her husband.

Characters
Desdemona and Emilia
Length
About 5.6 minutes, 789 words
Words per part
Desdemona 411 · Emilia 378
Starts
Emilia: “How goes it now? he looks gentler than he did.”
Ends
Desdemona: “… send, / Not to pick bad from bad, but by bad mend!”

Free text of the play · Desdemona’s part

Brutus and Cassius quarrel

Julius Caesar, William Shakespeare · Act 4, Scene 3

The two leaders of the plot against Caesar now lead armies against Antony. In Brutus’s tent, Brutus accuses Cassius of taking bribes and Cassius says Brutus has wronged him, until they make peace.

Characters
Brutus and Cassius
Length
About 7.0 minutes, 978 words
Words per part
Brutus 558 · Cassius 420
Starts
Cassius: “That you have wrong’d me doth appear in this: / You have …”
Ends
Brutus: “… your Brutus, / He’ll think your mother chides, and leave you so.”

Free text of the play · Brutus’s part · Cassius’s part

Richard woos Lady Anne

Richard III, William Shakespeare · Act 1, Scene 2

Lady Anne is following the coffin of King Henry, whom Richard killed, as he also killed her husband. Richard stops the procession and asks her to marry him, and by the end she wears his ring.

Characters
Richard and Anne
Length
About 10.2 minutes, 1,433 words
Words per part
Richard 831 · Anne 602
Starts
Anne: “What, do you tremble? are you all afraid? / Alas, I blame …”
Ends
Anne: “… me how to flatter you, / Imagine I have said farewell already.”

Free text of the play

Angelo’s offer

Measure for Measure, William Shakespeare · Act 2, Scene 4

Angelo has sentenced Isabella’s brother to death. When she comes back to plead for him, Angelo offers to spare him if she will sleep with him, and asks who would believe her if she told.

Characters
Angelo and Isabella
Length
About 8.8 minutes, 1,228 words
Words per part
Angelo 666 · Isabella 562
Starts
Isabella: “I am come to know your pleasure.”
Ends
Isabella: “… request, / And fit his mind to death, for his soul’s rest.”

Free text of the play · Angelo’s part

Kill Claudio

Much Ado About Nothing, William Shakespeare · Act 4, Scene 1

Claudio has shamed Hero at the altar and left her for dead. Alone in the church, Benedick and Beatrice admit they love each other, and she asks him to prove it.

Characters
Beatrice and Benedick
Length
About 4.1 minutes, 579 words
Words per part
Beatrice 374 · Benedick 205
Starts
Benedick: “Lady Beatrice, have you wept all this while?”
Ends
Benedick: “… comfort your cousin: I must say she is dead: and so, farewell.”

Free text of the play · Benedick’s part · Beatrice’s part

Nora sits Helmer down

A Doll’s House, Henrik Ibsen, translated by R. Farquharson Sharp · Act 3

Helmer has raged at Nora over her secret loan, then forgiven her once the danger passed. She sits him down for their first serious talk in eight years of marriage and tells him she is leaving.

Characters
Nora and Helmer
Length
About 16.9 minutes, 2,363 words
Words per part
Nora 1,707 · Helmer 656
Starts
Nora: “It is not so very late. Sit down here, Torvald. You and …”
Ends
Helmer: “Nora! Nora! Empty. She is gone. The most wonderful thing of all—?”

Free text of the play

Nina comes back

The Seagull, Anton Chekhov, translated by Constance Garnett · Act 4

Nina, now an actress with a winter engagement in a provincial town, comes back to the house at night to see Treplev. He still loves her and begs her to stay.

Characters
Nina and Treplev
Length
About 9.0 minutes, 1,253 words
Words per part
Nina 885 · Treplev 368
Starts
Treplev: “Nina! Nina! It’s you … you. … It’s as though I had …”
Ends
Nina: “… is no sound of the May beetles in the lime trees …”

Free text of the play

Liza and the slippers

Pygmalion, George Bernard Shaw · Act 4

After the party where Liza passed as a lady, Higgins only says he is glad it is over. Left alone with him, she throws his slippers at him and demands to know what is to become of her.

Characters
Higgins and Liza
Length
About 8.4 minutes, 1,172 words
Words per part
Higgins 737 · Liza 435
Starts
Higgins: “What the devil have I done with my slippers?”
Ends
Higgins: “… and the treasure of my regard and intimacy on a heartless guttersnipe.”

Free text of the play

Antigone asks Ismene for help

Antigone, Sophocles, translated by Francis Storr · The opening, before the Chorus enters

Their two brothers have killed each other in battle, and Creon has forbidden anyone to bury one of them. Antigone asks her sister to help her bury him anyway; Ismene is afraid to defy the law.

Characters
Antigone and Ismene
Length
About 5.5 minutes, 772 words
Words per part
Antigone 458 · Ismene 314
Starts
Antigone: “Ismene, sister of my blood and heart, / See’st thou how Zeus …”
Ends
Ismene: “… mad endeavour, / Yet to thy lovers thou art dear as ever.”

Free text of the play · Antigone’s part

Scenes for three or more actors

For a group, a class, or a small cast. Each one has at least three parts with real lines to learn.

The four lovers quarrel

A Midsummer Night’s Dream, William Shakespeare · Act 3, Scene 2

A love potion has turned both young men from Hermia to Helena. Helena thinks all three are mocking her, Hermia thinks Helena has stolen Lysander, and the friendships fall apart.

Characters
Helena, Lysander, Hermia, and Demetrius
Length
About 13.2 minutes, 1,841 words
Words per part
Helena 852 · Lysander 395 · Hermia 349 · Demetrius 245
Starts
Lysander: “Why should you think that I should woo in scorn? / Scorn …”
Ends
Hermia: “I am amazed, and know not what to say.”

Free text of the play · Helena’s part

Malvolio finds the letter

Twelfth Night, William Shakespeare · Act 2, Scene 5

Maria has dropped a love letter in Malvolio’s path, written to look like Olivia’s hand. Sir Toby, Sir Andrew, and Fabian hide in the box tree and watch him fall for it.

Characters
Malvolio, Fabian, Sir Toby, and Sir Andrew
Length
About 8.0 minutes, 1,114 words
Words per part
Malvolio 840 · Fabian 137 · Sir Toby 98 · Sir Andrew 39
Starts
Malvolio: “’Tis but fortune; all is fortune. Maria once told me she did …”
Ends
Malvolio: “… I will smile; I will do everything that thou wilt have me.”

Free text of the play · Malvolio’s part

Benedick is tricked

Much Ado About Nothing, William Shakespeare · Act 2, Scene 3

Don Pedro, Claudio, and Leonato know Benedick is hiding in the garden, so they talk loudly about how much Beatrice loves him. He believes every word.

Characters
Don Pedro, Leonato, Benedick, and Claudio
Length
About 8.7 minutes, 1,224 words
Words per part
Don Pedro 363 · Leonato 345 · Benedick 288 · Claudio 228
Starts
Don Pedro: “Do so: farewell. Come hither, Leonato. What was it you told me …”
Ends
Benedick: “… a fair lady: I do spy some marks of love in her.”

Free text of the play · Benedick’s part · Leonato’s part · Don Pedro’s part

The closet scene

Hamlet, William Shakespeare · Act 3, Scene 4

Called to his mother’s room after the play, Hamlet kills Polonius through a curtain, then forces Gertrude to face what she has done. His father’s ghost appears, and only Hamlet can see it.

Characters
Hamlet, Gertrude, Polonius, and Ghost
Length
About 12.4 minutes, 1,739 words
Words per part
Hamlet 1,344 · Gertrude 303 · Polonius 54 · Ghost 38
Starts
Polonius: “He will come straight. Look you lay home to him: / Tell …”
Ends
Hamlet: “… sir, to draw toward an end with you. / Good night, mother.”

Free text of the play · Hamlet’s part

Who bought the cherry orchard

The Cherry Orchard, Anton Chekhov, translated by Constance Garnett · Act 3

Lyubov is giving a party on the day her estate is sold at auction. Lopahin, whose father and grandfather were slaves on it, comes back and tells her he has bought it.

Characters
Lopahin, Anya, Lyubov, Gaev, and Pishtchik
Length
About 4.0 minutes, 564 words
Words per part
Lopahin 382 · Anya 97 · Lyubov 38 · Gaev 30 · Pishtchik 17
Starts
Lyubov: “Is it you, Yermolay Alexeyevitch? Why have you been so long? Where’s …”
Ends
Anya: “… at evening! And you will smile, mamma! Come, darling, let us go!”

Free text of the play

Short scenes, under 5 minutes

Short enough to learn in a few evenings, or to bring to a class with little notice. The time is the speaking time of the text, before pauses and business.

SceneCharactersRun time
Romeo and Juliet meet (Romeo and Juliet)Romeo, Juliet1.1 minutes
It was the lark (Romeo and Juliet)Juliet, Romeo2.2 minutes
We will proceed no further (Macbeth)Lady Macbeth, Macbeth3.3 minutes
Helena follows Demetrius into the wood (A Midsummer Night’s Dream)Helena, Demetrius3.4 minutes
Who bought the cherry orchard (The Cherry Orchard)Lopahin, Anya, Lyubov, Gaev, Pishtchik4.0 minutes
Kill Claudio (Much Ado About Nothing)Beatrice, Benedick4.1 minutes
Get thee to a nunnery (Hamlet)Hamlet, Ophelia4.3 minutes
I have done the deed (Macbeth)Lady Macbeth, Macbeth4.4 minutes
Juliet waits for the Nurse’s news (Romeo and Juliet)Juliet, Nurse4.8 minutes

A two-person scene here is one that two characters carry; when someone else speaks once, the entry says so. Times are spoken words at 140 words a minute, stage directions removed, the same method as the play library.

Practice it out loud

A scene only comes alive when the other part answers you. If you do not have a scene partner tonight, upload the scene to Offbook as a PDF or text file and pick your role: realistic voices read every other part, and it listens through your microphone and plays the next cue when you finish your line.

You can hide your own lines as you learn them, or show only the first letters of each word. Want classical speeches instead? See the monologues with run times.

Questions actors ask

Where can I find free acting scripts to practice?

Plays in the public domain are free to read, copy, and perform. Every scene on this page comes from one, in a public domain edition from Standard Ebooks, and each entry links to the free text of its play.

What is a good two-person scene for beginners?

Pick a short scene with one clear conflict and two parts of similar size. Helena and Demetrius in the wood from A Midsummer Night’s Dream, Juliet waiting for the Nurse from Romeo and Juliet, and Beatrice and Benedick after the wedding from Much Ado About Nothing are all on the short list above.

How long should a scene for acting class be?

Your teacher sets the length, so ask first. Then use the run time on each entry to pick a scene that fits, and remember that pauses, movement, and reactions add time to the spoken words.

Can I perform these scenes in public or use them for an audition?

The plays and the translations used here are in the public domain, so the texts are free to use. A modern translation or adaptation of the same play is a different text and may still be under copyright, so check before you use one.

How do I practice a two-person scene without a partner?

Record the other part on your phone with gaps for your lines, make a cue script so you learn when to come in, or use an app that reads the other part aloud and waits for you. Whatever you use, run it out loud at speaking pace.

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