Acting scripts to practice: free scenes for two actors
Real scenes from classic plays, with the setup, the characters, where to find them, and how long each one runs.
The Offbook team
Oct 18, 2026
The hardest part of practicing a scene is often finding one: something with two strong parts, a clear fight or want, and a length you can learn this week. Every scene below comes from a play in the public domain, so the text is free to read, copy, and perform.
Each entry tells you what is going on in one line, who speaks, where it sits in the play, and how long it runs out loud. The play page next to it shows how big each part is across the whole play, and the free text is one click away.
There are 28 scenes here: 9 two-person comedy scenes, 14 two-person dramatic scenes, and 5 scenes for three or more actors, plus a list of the short ones.
How to practice a script on your own
- Read the scene once for the story, then once out loud for the sound. Say what each character wants in one plain sentence before you learn a word.
- Find your cues. A cue is the last few words before you speak; it tells you when to come in. The cue script maker turns any scene into your lines with their cues.
- Learn your lines in short runs, cue first: read the cue, say your line without looking, then check it. The first-letter memorizer gives you a version to test yourself from.
- Run the whole scene at speaking pace, out loud, with someone (or something) saying the other part. Running it in your head hides the places where you go blank.
- Swap parts. Playing the other character once shows you what they want from you, and makes your own reactions sharper.
For more on rehearsing without a partner, read how to rehearse a scene alone and how to prepare a scene for acting class.
Two-person comedy scenes
Scenes written to be played for laughs, from comedies and from the lighter moments of tragedies. The comedy is in the timing, so run these faster than feels safe.
Petruchio woos Kate
The Taming of the Shrew, William Shakespeare · Act 2, Scene 1
Petruchio has settled the dowry with Katharina’s father before meeting her. Alone together for the first time, they trade insults at speed, and he will not take no for an answer.
- Characters
- Petruchio and Katharina
- Length
- About 5.6 minutes, 788 words
- Words per part
- Petruchio 554 · Katharina 234
- Starts
- Petruchio: “Good morrow, Kate; for that’s your name, I hear.”
- Ends
- Petruchio: “… make denial; / I must and will have Katharina to my wife.”
Viola brings Orsino’s message to Olivia
Twelfth Night, William Shakespeare · Act 1, Scene 5
Viola, disguised as the young man Cesario, has come to plead Orsino’s love to Olivia. Olivia will not love Orsino, and by the end she is taken with the messenger instead.
- Characters
- Viola and Olivia, with one speech for Maria
- Length
- About 7.0 minutes, 976 words
- Words per part
- Viola 555 · Olivia 412
- Starts
- Viola: “The honourable lady of the house, which is she?”
- Ends
- Viola: “… fervour, like my master’s, be / Placed in contempt! Farewell, fair cruelty.”
Helena follows Demetrius into the wood
A Midsummer Night’s Dream, William Shakespeare · Act 2, Scene 1
Demetrius has come into the wood at night to find Hermia, and Helena has followed him. He tries every insult and threat to shake her off; she loves him the more for each one.
- Characters
- Helena and Demetrius
- Length
- About 3.4 minutes, 482 words
- Words per part
- Helena 292 · Demetrius 190
- Starts
- Demetrius: “I love thee not, therefore pursue me not. / Where is Lysander …”
- Ends
- Helena: “… of hell, / To die upon the hand I love so well.”
Lady Bracknell interviews Jack
The Importance of Being Earnest, Oscar Wilde · Act 1
Jack has just proposed to Gwendolen, and her mother questions him as a suitor: his income, his house, his politics, and his parents, until she learns he was found as a baby in a handbag.
- Characters
- Lady Bracknell and Jack
- Length
- About 7.4 minutes, 1,039 words
- Words per part
- Lady Bracknell 675 · Jack 364
- Starts
- Lady Bracknell: “You can take a seat, Mr. Worthing.”
- Ends
- Lady Bracknell: “… cloakroom, and form an alliance with a parcel? Good morning, Mr. Worthing!”
Gwendolen and Cecily take tea
The Importance of Being Earnest, Oscar Wilde · Act 2
Gwendolen and Cecily meet for the first time and promise to be great friends, then discover they are both engaged to “Ernest” and fight it out over the tea things.
- Characters
- Gwendolen and Cecily, with one speech for Merriman
- Length
- About 9.7 minutes, 1,359 words
- Words per part
- Gwendolen 867 · Cecily 484
- Starts
- Cecily: “Pray let me introduce myself to you. My name is Cecily Cardew.”
- Ends
- Cecily: “… many other calls of a similar character to make in the neighbourhood.”
Sir Peter and Lady Teazle quarrel
The School for Scandal, Richard Brinsley Sheridan · Act 2, Scene 1
Sir Peter Teazle scolds his young wife, a country squire’s daughter, for her spending in town, down to flowers in winter. She answers every charge, and leaves him for a party at Lady Sneerwell’s.
- Characters
- Sir Peter and Lady Teazle
- Length
- About 7.3 minutes, 1,020 words
- Words per part
- Sir Peter 539 · Lady Teazle 481
- Starts
- Sir Peter: “Lady Teazle, Lady Teazle, I’ll not bear it!”
- Ends
- Sir Peter: “… as when she is doing everything in her power to plague me.”
Tartuffe declares himself to Elmire
Tartuffe, Molière, translated by Curtis Hidden Page · Act 3, Scene 3
Elmire meets the pious Tartuffe in private to ask about her husband’s plan to marry him to her stepdaughter Mariane. Instead he declares his love for Elmire, and she uses it to strike a bargain.
- Characters
- Tartuffe and Elmire
- Length
- About 8.0 minutes, 1,123 words
- Words per part
- Tartuffe 813 · Elmire 310
- Starts
- Tartuffe: “May Heaven’s overflowing kindness ever / Give you good health of body …”
- Ends
- Elmire: “… / By which you hope to win another’s rights; / And …”
The chocolate cream soldier
Arms and the Man, George Bernard Shaw · Act 1
A Swiss soldier fleeing the battle has hidden in Raina’s bedroom, and the search party has just left. He carries chocolate instead of cartridges, and he laughs at the cavalry charge led by the man she is engaged to.
- Characters
- Bluntschli and Raina
- Length
- About 9.3 minutes, 1,302 words
- Words per part
- Bluntschli 925 · Raina 377
- Starts
- Bluntschli: “A narrow shave; but a miss is as good as a mile. …”
- Ends
- Raina: “… it takes less courage to climb down than to face capture—remember that.”
Juliet waits for the Nurse’s news
Romeo and Juliet, William Shakespeare · Act 2, Scene 5
Juliet sent the Nurse to Romeo at nine and has waited three hours to hear whether he will marry her. The Nurse is back, and complains about her aching bones before she gives the answer.
- Characters
- Juliet and Nurse
- Length
- About 4.8 minutes, 671 words
- Words per part
- Juliet 353 · Nurse 318
- Starts
- Juliet: “The clock struck nine when I did send the nurse; / In …”
- Ends
- Juliet: “Hie to high fortune! Honest nurse, farewell.”
Two-person dramatic scenes
Scenes where something serious is at stake between two people: a murder, a marriage, a betrayal, a choice that cannot be undone.
Get thee to a nunnery
Hamlet, William Shakespeare · Act 3, Scene 1
Polonius and the King have placed Ophelia where Hamlet will find her, and they listen in hiding. She tries to give back the gifts he gave her, and he turns on her.
- Characters
- Hamlet and Ophelia
- Length
- About 4.3 minutes, 599 words
- Words per part
- Hamlet 378 · Ophelia 221
- Starts
- Hamlet: “The fair Ophelia! Nymph, in thy orisons / Be all my sins …”
- Ends
- Ophelia: “… / To have seen what I have seen, see what I see!”
Free text of the play · Ophelia’s monologue, “O, what a noble mind is here o’erthrown!” · Hamlet’s part · Ophelia’s part
We will proceed no further
Macbeth, William Shakespeare · Act 1, Scene 7
King Duncan is a guest in the castle, and Macbeth has decided not to kill him. Lady Macbeth calls him a coward and lays out the plan until he agrees to the murder.
- Characters
- Lady Macbeth and Macbeth
- Length
- About 3.3 minutes, 467 words
- Words per part
- Lady Macbeth 327 · Macbeth 140
- Starts
- Macbeth: “How now! what news?”
- Ends
- Macbeth: “… show: / False face must hide what the false heart doth know.”
Free text of the play · Macbeth’s part · Lady Macbeth’s part
I have done the deed
Macbeth, William Shakespeare · Act 2, Scene 2
Lady Macbeth waits in the dark while Macbeth kills Duncan. He comes back shaken, still holding the bloody daggers, and she has to take them back to the room herself.
- Characters
- Lady Macbeth and Macbeth
- Length
- About 4.4 minutes, 616 words
- Words per part
- Lady Macbeth 339 · Macbeth 277
- Starts
- Lady Macbeth: “That which hath made them drunk hath made me bold; / What …”
- Ends
- Macbeth: “… know myself. / Wake Duncan with thy knocking! I would thou couldst!”
Free text of the play · Macbeth’s part · Lady Macbeth’s part
Romeo and Juliet meet
Romeo and Juliet, William Shakespeare · Act 1, Scene 5
At the Capulet feast, Romeo takes Juliet’s hand. Their first words to each other form a sonnet they share between them, and it ends in a kiss.
- Characters
- Romeo and Juliet
- Length
- About 1.1 minutes, 155 words
- Words per part
- Romeo 90 · Juliet 65
- Starts
- Romeo: “If I profane with my unworthiest hand / This holy shrine, the …”
- Ends
- Juliet: “You kiss by the book.”
It was the lark
Romeo and Juliet, William Shakespeare · Act 3, Scene 5
Dawn after their wedding night. Romeo is banished and will be put to death if he is found in Verona, but Juliet wants him to stay a little longer.
- Characters
- Juliet and Romeo
- Length
- About 2.2 minutes, 307 words
- Words per part
- Juliet 166 · Romeo 141
- Starts
- Juliet: “Wilt thou be gone? it is not yet near day: / It …”
- Ends
- Romeo: “More light and light; more dark and dark our woes!”
The willow song
Othello, William Shakespeare · Act 4, Scene 3
Othello has ordered Desdemona to bed and told her to send Emilia away. As Emilia helps her undress, Desdemona sings the willow song and asks whether any wife would really betray her husband.
- Characters
- Desdemona and Emilia
- Length
- About 5.6 minutes, 789 words
- Words per part
- Desdemona 411 · Emilia 378
- Starts
- Emilia: “How goes it now? he looks gentler than he did.”
- Ends
- Desdemona: “… send, / Not to pick bad from bad, but by bad mend!”
Brutus and Cassius quarrel
Julius Caesar, William Shakespeare · Act 4, Scene 3
The two leaders of the plot against Caesar now lead armies against Antony. In Brutus’s tent, Brutus accuses Cassius of taking bribes and Cassius says Brutus has wronged him, until they make peace.
- Characters
- Brutus and Cassius
- Length
- About 7.0 minutes, 978 words
- Words per part
- Brutus 558 · Cassius 420
- Starts
- Cassius: “That you have wrong’d me doth appear in this: / You have …”
- Ends
- Brutus: “… your Brutus, / He’ll think your mother chides, and leave you so.”
Richard woos Lady Anne
Richard III, William Shakespeare · Act 1, Scene 2
Lady Anne is following the coffin of King Henry, whom Richard killed, as he also killed her husband. Richard stops the procession and asks her to marry him, and by the end she wears his ring.
- Characters
- Richard and Anne
- Length
- About 10.2 minutes, 1,433 words
- Words per part
- Richard 831 · Anne 602
- Starts
- Anne: “What, do you tremble? are you all afraid? / Alas, I blame …”
- Ends
- Anne: “… me how to flatter you, / Imagine I have said farewell already.”
Angelo’s offer
Measure for Measure, William Shakespeare · Act 2, Scene 4
Angelo has sentenced Isabella’s brother to death. When she comes back to plead for him, Angelo offers to spare him if she will sleep with him, and asks who would believe her if she told.
- Characters
- Angelo and Isabella
- Length
- About 8.8 minutes, 1,228 words
- Words per part
- Angelo 666 · Isabella 562
- Starts
- Isabella: “I am come to know your pleasure.”
- Ends
- Isabella: “… request, / And fit his mind to death, for his soul’s rest.”
Kill Claudio
Much Ado About Nothing, William Shakespeare · Act 4, Scene 1
Claudio has shamed Hero at the altar and left her for dead. Alone in the church, Benedick and Beatrice admit they love each other, and she asks him to prove it.
- Characters
- Beatrice and Benedick
- Length
- About 4.1 minutes, 579 words
- Words per part
- Beatrice 374 · Benedick 205
- Starts
- Benedick: “Lady Beatrice, have you wept all this while?”
- Ends
- Benedick: “… comfort your cousin: I must say she is dead: and so, farewell.”
Nora sits Helmer down
A Doll’s House, Henrik Ibsen, translated by R. Farquharson Sharp · Act 3
Helmer has raged at Nora over her secret loan, then forgiven her once the danger passed. She sits him down for their first serious talk in eight years of marriage and tells him she is leaving.
- Characters
- Nora and Helmer
- Length
- About 16.9 minutes, 2,363 words
- Words per part
- Nora 1,707 · Helmer 656
- Starts
- Nora: “It is not so very late. Sit down here, Torvald. You and …”
- Ends
- Helmer: “Nora! Nora! Empty. She is gone. The most wonderful thing of all—?”
Nina comes back
The Seagull, Anton Chekhov, translated by Constance Garnett · Act 4
Nina, now an actress with a winter engagement in a provincial town, comes back to the house at night to see Treplev. He still loves her and begs her to stay.
- Characters
- Nina and Treplev
- Length
- About 9.0 minutes, 1,253 words
- Words per part
- Nina 885 · Treplev 368
- Starts
- Treplev: “Nina! Nina! It’s you … you. … It’s as though I had …”
- Ends
- Nina: “… is no sound of the May beetles in the lime trees …”
Liza and the slippers
Pygmalion, George Bernard Shaw · Act 4
After the party where Liza passed as a lady, Higgins only says he is glad it is over. Left alone with him, she throws his slippers at him and demands to know what is to become of her.
- Characters
- Higgins and Liza
- Length
- About 8.4 minutes, 1,172 words
- Words per part
- Higgins 737 · Liza 435
- Starts
- Higgins: “What the devil have I done with my slippers?”
- Ends
- Higgins: “… and the treasure of my regard and intimacy on a heartless guttersnipe.”
Antigone asks Ismene for help
Antigone, Sophocles, translated by Francis Storr · The opening, before the Chorus enters
Their two brothers have killed each other in battle, and Creon has forbidden anyone to bury one of them. Antigone asks her sister to help her bury him anyway; Ismene is afraid to defy the law.
- Characters
- Antigone and Ismene
- Length
- About 5.5 minutes, 772 words
- Words per part
- Antigone 458 · Ismene 314
- Starts
- Antigone: “Ismene, sister of my blood and heart, / See’st thou how Zeus …”
- Ends
- Ismene: “… mad endeavour, / Yet to thy lovers thou art dear as ever.”
Scenes for three or more actors
For a group, a class, or a small cast. Each one has at least three parts with real lines to learn.
The four lovers quarrel
A Midsummer Night’s Dream, William Shakespeare · Act 3, Scene 2
A love potion has turned both young men from Hermia to Helena. Helena thinks all three are mocking her, Hermia thinks Helena has stolen Lysander, and the friendships fall apart.
- Characters
- Helena, Lysander, Hermia, and Demetrius
- Length
- About 13.2 minutes, 1,841 words
- Words per part
- Helena 852 · Lysander 395 · Hermia 349 · Demetrius 245
- Starts
- Lysander: “Why should you think that I should woo in scorn? / Scorn …”
- Ends
- Hermia: “I am amazed, and know not what to say.”
Malvolio finds the letter
Twelfth Night, William Shakespeare · Act 2, Scene 5
Maria has dropped a love letter in Malvolio’s path, written to look like Olivia’s hand. Sir Toby, Sir Andrew, and Fabian hide in the box tree and watch him fall for it.
- Characters
- Malvolio, Fabian, Sir Toby, and Sir Andrew
- Length
- About 8.0 minutes, 1,114 words
- Words per part
- Malvolio 840 · Fabian 137 · Sir Toby 98 · Sir Andrew 39
- Starts
- Malvolio: “’Tis but fortune; all is fortune. Maria once told me she did …”
- Ends
- Malvolio: “… I will smile; I will do everything that thou wilt have me.”
Benedick is tricked
Much Ado About Nothing, William Shakespeare · Act 2, Scene 3
Don Pedro, Claudio, and Leonato know Benedick is hiding in the garden, so they talk loudly about how much Beatrice loves him. He believes every word.
- Characters
- Don Pedro, Leonato, Benedick, and Claudio
- Length
- About 8.7 minutes, 1,224 words
- Words per part
- Don Pedro 363 · Leonato 345 · Benedick 288 · Claudio 228
- Starts
- Don Pedro: “Do so: farewell. Come hither, Leonato. What was it you told me …”
- Ends
- Benedick: “… a fair lady: I do spy some marks of love in her.”
Free text of the play · Benedick’s part · Leonato’s part · Don Pedro’s part
The closet scene
Hamlet, William Shakespeare · Act 3, Scene 4
Called to his mother’s room after the play, Hamlet kills Polonius through a curtain, then forces Gertrude to face what she has done. His father’s ghost appears, and only Hamlet can see it.
- Characters
- Hamlet, Gertrude, Polonius, and Ghost
- Length
- About 12.4 minutes, 1,739 words
- Words per part
- Hamlet 1,344 · Gertrude 303 · Polonius 54 · Ghost 38
- Starts
- Polonius: “He will come straight. Look you lay home to him: / Tell …”
- Ends
- Hamlet: “… sir, to draw toward an end with you. / Good night, mother.”
Who bought the cherry orchard
The Cherry Orchard, Anton Chekhov, translated by Constance Garnett · Act 3
Lyubov is giving a party on the day her estate is sold at auction. Lopahin, whose father and grandfather were slaves on it, comes back and tells her he has bought it.
- Characters
- Lopahin, Anya, Lyubov, Gaev, and Pishtchik
- Length
- About 4.0 minutes, 564 words
- Words per part
- Lopahin 382 · Anya 97 · Lyubov 38 · Gaev 30 · Pishtchik 17
- Starts
- Lyubov: “Is it you, Yermolay Alexeyevitch? Why have you been so long? Where’s …”
- Ends
- Anya: “… at evening! And you will smile, mamma! Come, darling, let us go!”
Short scenes, under 5 minutes
Short enough to learn in a few evenings, or to bring to a class with little notice. The time is the speaking time of the text, before pauses and business.
| Scene | Characters | Run time |
|---|---|---|
| Romeo and Juliet meet (Romeo and Juliet) | Romeo, Juliet | 1.1 minutes |
| It was the lark (Romeo and Juliet) | Juliet, Romeo | 2.2 minutes |
| We will proceed no further (Macbeth) | Lady Macbeth, Macbeth | 3.3 minutes |
| Helena follows Demetrius into the wood (A Midsummer Night’s Dream) | Helena, Demetrius | 3.4 minutes |
| Who bought the cherry orchard (The Cherry Orchard) | Lopahin, Anya, Lyubov, Gaev, Pishtchik | 4.0 minutes |
| Kill Claudio (Much Ado About Nothing) | Beatrice, Benedick | 4.1 minutes |
| Get thee to a nunnery (Hamlet) | Hamlet, Ophelia | 4.3 minutes |
| I have done the deed (Macbeth) | Lady Macbeth, Macbeth | 4.4 minutes |
| Juliet waits for the Nurse’s news (Romeo and Juliet) | Juliet, Nurse | 4.8 minutes |
A two-person scene here is one that two characters carry; when someone else speaks once, the entry says so. Times are spoken words at 140 words a minute, stage directions removed, the same method as the play library.
Practice it out loud
A scene only comes alive when the other part answers you. If you do not have a scene partner tonight, upload the scene to Offbook as a PDF or text file and pick your role: realistic voices read every other part, and it listens through your microphone and plays the next cue when you finish your line.
You can hide your own lines as you learn them, or show only the first letters of each word. Want classical speeches instead? See the monologues with run times.
Questions actors ask
Where can I find free acting scripts to practice?
Plays in the public domain are free to read, copy, and perform. Every scene on this page comes from one, in a public domain edition from Standard Ebooks, and each entry links to the free text of its play.
What is a good two-person scene for beginners?
Pick a short scene with one clear conflict and two parts of similar size. Helena and Demetrius in the wood from A Midsummer Night’s Dream, Juliet waiting for the Nurse from Romeo and Juliet, and Beatrice and Benedick after the wedding from Much Ado About Nothing are all on the short list above.
How long should a scene for acting class be?
Your teacher sets the length, so ask first. Then use the run time on each entry to pick a scene that fits, and remember that pauses, movement, and reactions add time to the spoken words.
Can I perform these scenes in public or use them for an audition?
The plays and the translations used here are in the public domain, so the texts are free to use. A modern translation or adaptation of the same play is a different text and may still be under copyright, so check before you use one.
How do I practice a two-person scene without a partner?
Record the other part on your phone with gaps for your lines, make a cue script so you learn when to come in, or use an app that reads the other part aloud and waits for you. Whatever you use, run it out loud at speaking pace.
Keep reading
- Tartuffe: every role by lines, words, and stage timeMolière. Line counts, scenes, and the longest speeches.
- Acting Verbs: A Working List of Actions and How to Use ThemWhat an action verb is in acting, why it has to be something you do to another person, a working list grouped by what each verb does, a scene from The Importance of Being Earnest actioned line by line, and how to change tactics when one stops working.
- How to Learn Lines for a Two-HanderIn a two-person play you never leave the stage and nobody else can cover a dropped line. How to split the script into units you can learn, why you need your partner’s lines too, and a five-week schedule to get off book with one scene partner.
- Ghosts: every role by lines, words, and stage timeHenrik Ibsen. Line counts, scenes, and the longest speeches.