Cymbeline: every role by lines, words, and stage time
William Shakespeare. 37 speaking roles, 26,704 words, about 191 minutes of speech.
The Offbook team
Oct 8, 2026
Imogen has the most to say in Cymbeline: about 592 lines and 4,390 words, 16.4% of the play. Shakespeare’s late romance follows Imogen, the king’s daughter, whose secret marriage to Posthumus sets off exile, deceit, and disguise. Imogen is the largest part, while Cymbeline himself has under a tenth of the words. Posthumus is the second-largest part, but he is absent from Acts 3 and 4.
- Speaking roles
- 37
- Scenes
- 27
- Words
- 26,704
- Speech time
- 191 min
Every role, largest first
| Role | Lines | Words | Share | Minutes | Scenes |
|---|---|---|---|---|---|
| Imogen | 592 | 4,390 | 16.4% | 31.4 | 10 |
| Posthumus | 442 | 3,377 | 12.6% | 24.1 | 8 |
| Iachimo | 426 | 3,184 | 11.9% | 22.7 | 6 |
| Belarius | 336 | 2,497 | 9.4% | 17.8 | 6 |
| Cloten | 257 | 1,989 | 7.4% | 14.2 | 7 |
| Cymbeline | 291 | 1,977 | 7.4% | 14.1 | 6 |
| Pisanio | 217 | 1,494 | 5.6% | 10.7 | 10 |
| Queen | 167 | 1,206 | 4.5% | 8.6 | 5 |
| Guiderius | 164 | 1,075 | 4% | 7.7 | 5 |
| Arviragus | 139 | 918 | 3.4% | 6.6 | 5 |
| Lucius | 104 | 717 | 2.7% | 5.1 | 5 |
| Cornelius | 73 | 521 | 2% | 3.7 | 2 |
| First Gentleman | 66 | 503 | 1.9% | 3.6 | 1 |
| First Gaoler | 44 | 409 | 1.5% | 2.9 | 1 |
| Second Lord | 43 | 313 | 1.2% | 2.2 | 3 |
| Soothsayer | 42 | 311 | 1.2% | 2.2 | 2 |
| First Lord | 41 | 292 | 1.1% | 2.1 | 4 |
| Philario | 43 | 292 | 1.1% | 2.1 | 2 |
| Sicilius | 27 | 228 | 0.9% | 1.6 | 1 |
| Frenchman | 21 | 179 | 0.7% | 1.3 | 1 |
| Jupiter | 21 | 154 | 0.6% | 1.1 | 1 |
| First Senator | 15 | 101 | 0.4% | 0.7 | 1 |
| Second Gentleman | 13 | 71 | 0.3% | 0.5 | 1 |
| Captain | 11 | 66 | 0.2% | 0.5 | 1 |
| First Brother | 7 | 61 | 0.2% | 0.4 | 1 |
| Lady | 13 | 60 | 0.2% | 0.4 | 3 |
| Mother | 7 | 60 | 0.2% | 0.4 | 1 |
| Second Captain | 6 | 51 | 0.2% | 0.4 | 1 |
| Lord | 7 | 35 | 0.1% | 0.3 | 1 |
| Second Brother | 4 | 32 | 0.1% | 0.2 | 1 |
| First Captain | 4 | 30 | 0.1% | 0.2 | 1 |
| Attendant | 3 | 22 | 0.1% | 0.2 | 1 |
| Messenger | 3 | 22 | 0.1% | 0.2 | 2 |
| First Tribune | 3 | 15 | 0.1% | 0.1 | 1 |
| First Lady | 2 | 8 | 0% | 0.1 | 2 |
| Second Gaoler | 1 | 4 | 0% | 0.0 | 1 |
| Second Senator | 1 | 1 | 0% | 0.0 | 1 |
Who speaks in which scene
Darker cells mean more words in that scene. Use it to plan rehearsal calls, or to see how long an actor waits between entrances.
| Role | 1.1 | 1.2 | 1.3 | 1.4 | 1.5 | 1.6 | 2.1 | 2.2 | 2.3 | 2.4 | 2.5 | 3.1 | 3.2 | 3.3 | 3.4 | 3.5 | 3.6 | 3.7 | 4.1 | 4.2 | 4.3 | 4.4 | 5.1 | 5.2 | 5.3 | 5.4 | 5.5 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Imogen | |||||||||||||||||||||||||||
| Posthumus | |||||||||||||||||||||||||||
| Iachimo | |||||||||||||||||||||||||||
| Belarius | |||||||||||||||||||||||||||
| Cloten | |||||||||||||||||||||||||||
| Cymbeline | |||||||||||||||||||||||||||
| Pisanio | |||||||||||||||||||||||||||
| Queen | |||||||||||||||||||||||||||
| Guiderius | |||||||||||||||||||||||||||
| Arviragus | |||||||||||||||||||||||||||
| Lucius | |||||||||||||||||||||||||||
| Cornelius |
The longest speeches
| Speech | Scene | Words | Lines |
|---|---|---|---|
| Imogen: “Who? thy lord? that is my lord, Leonatus!” | Act 3, Scene 2 | 370 | 43 |
| Belarius: “My fault being nothing—as I have told you oft—” | Act 3, Scene 3 | 361 | 43 |
| Imogen: “Yes, sir, to Milford-Haven; which is the way?—” | Act 4, Scene 2 | 357 | 42 |
| Queen: “Weeps she still, say’st thou? Dost thou think …” | Act 1, Scene 5 | 339 | 41 |
| Iachimo: “The crickets sing, and man’s o’er-labour’d sense” | Act 2, Scene 2 | 330 | 41 |
| Posthumus: “Close by the battle, ditch’d, and wall’d with …” | Act 5, Scene 3 | 311 | 38 |
| Posthumus: “Is there no way for men to be but women” | Act 2, Scene 5 | 283 | 35 |
| Posthumus: “Yea, bloody cloth, I’ll keep thee, for I wish’d” | Act 5, Scene 1 | 274 | 33 |
| Cloten: “I am near to the place where they should meet,…” | Act 4, Scene 1 | 239 | 24 |
| Posthumus: “Sleep, thou hast been a grandsire, and begot” | Act 5, Scene 4 | 234 | 28 |
Small roles that can be doubled
These pairs of small roles never speak in the same scene, so one actor could play both. Check entrances and silent appearances in your script before you cast it this way.
- Queen and Guiderius
- Queen and Arviragus
- Queen and First Gaoler
- Queen and Soothsayer
- Queen and Philario
- Queen and Sicilius
- Queen and Frenchman
- Queen and Jupiter
- Queen and First Senator
- Queen and Captain
- Queen and First Brother
- Queen and Mother
Questions actors ask
Who has the most lines in Cymbeline?
Imogen, with about 592 lines and 4,390 words, 16.4% of everything spoken in the play. Posthumus is next, with about 442 lines (12.6%).
How long is Cymbeline?
The full text has 26,704 spoken words, about 191 minutes at 140 words a minute before pauses, scene changes, and cuts. Most productions cut the text, so running times vary.
How many speaking roles are in Cymbeline?
37 named roles speak in this edition, across 27 scenes. 25 of them have less than 2% of the words, which is why small parts are often doubled.
Keep reading
- As You Like It: every role by lines, words, and stage timeWilliam Shakespeare. Line counts, scenes, and the longest speeches.
- Henry V: every role by lines, words, and stage timeWilliam Shakespeare. Line counts, scenes, and the longest speeches.
- Pericles: every role by lines, words, and stage timeWilliam Shakespeare. Line counts, scenes, and the longest speeches.
- She Stoops to Conquer: every role by lines, words, and stage timeOliver Goldsmith. Line counts, scenes, and the longest speeches.