Back to Methuselah: every role by lines, words, and stage time
George Bernard Shaw. 77 speaking roles, 69,551 words, about 497 minutes of speech.
The Offbook team
Oct 8, 2026
The Elderly Gentleman has the most to say in Back to Methuselah: about 827 lines and 7,308 words, 10.5% of the play. Back to Methuselah is Shaw’s five-part cycle about human longevity, running from the Garden of Eden into the far future. With 77 speaking roles, no part holds more than about a tenth of the words. The Elderly Gentleman is the largest, all in Part 4, and Eve speaks at the very start and returns at the end.
- Speaking roles
- 77
- Scenes
- 8
- Words
- 69,551
- Speech time
- 497 min
Every role, largest first
| Role | Lines | Words | Share | Minutes | Scenes |
|---|---|---|---|---|---|
| The Elderly Gentleman | 827 | 7,308 | 10.5% | 52.2 | 3 |
| Zoo | 506 | 4,408 | 6.3% | 31.5 | 3 |
| Franklyn | 442 | 3,879 | 5.6% | 27.7 | 1 |
| Eve | 442 | 3,819 | 5.5% | 27.3 | 3 |
| Lubin | 433 | 3,810 | 5.5% | 27.2 | 1 |
| Burge-Lubin | 442 | 3,600 | 5.2% | 25.7 | 1 |
| Burge | 377 | 3,200 | 4.6% | 22.9 | 1 |
| The Archbishop | 286 | 2,540 | 3.7% | 18.1 | 1 |
| Confucius | 303 | 2,521 | 3.6% | 18.0 | 1 |
| Cain | 256 | 2,374 | 3.4% | 17.0 | 2 |
| Adam | 275 | 2,225 | 3.2% | 15.9 | 3 |
| Pygmalion | 240 | 2,193 | 3.2% | 15.7 | 1 |
| Conrad | 228 | 1,791 | 2.6% | 12.8 | 1 |
| The She-Ancient | 199 | 1,719 | 2.5% | 12.3 | 1 |
| The Serpent | 211 | 1,715 | 2.5% | 12.3 | 2 |
| Mrs. Lutestring | 190 | 1,704 | 2.5% | 12.2 | 1 |
| Napoleon | 181 | 1,644 | 2.4% | 11.7 | 1 |
| The Envoy | 173 | 1,521 | 2.2% | 10.9 | 2 |
| Barnabas | 194 | 1,501 | 2.2% | 10.7 | 1 |
| Acis | 171 | 1,396 | 2% | 10.0 | 1 |
| Martellus | 152 | 1,309 | 1.9% | 9.4 | 1 |
| The Maiden | 142 | 1,257 | 1.8% | 9.0 | 1 |
| Arjillax | 158 | 1,256 | 1.8% | 9.0 | 1 |
| The He-Ancient | 139 | 1,124 | 1.6% | 8.0 | 1 |
| Ecrasia | 141 | 1,063 | 1.5% | 7.6 | 1 |
| Savvy | 115 | 887 | 1.3% | 6.3 | 1 |
| The Woman | 91 | 742 | 1.1% | 5.3 | 1 |
| The Newly Born | 109 | 734 | 1.1% | 5.2 | 1 |
| Lilith | 72 | 718 | 1% | 5.1 | 1 |
| Haslam | 86 | 638 | 0.9% | 4.6 | 1 |
| The Oracle | 76 | 573 | 0.8% | 4.1 | 2 |
| Strephon | 78 | 558 | 0.8% | 4.0 | 1 |
| The Male Figure | 51 | 445 | 0.6% | 3.2 | 1 |
| The Man | 55 | 424 | 0.6% | 3.0 | 1 |
| Zozim | 51 | 401 | 0.6% | 2.9 | 1 |
| The Ancient | 39 | 337 | 0.5% | 2.4 | 1 |
| The Youth | 42 | 327 | 0.5% | 2.3 | 1 |
| The Female Figure | 40 | 323 | 0.5% | 2.3 | 1 |
| The Parlor Maid | 34 | 244 | 0.4% | 1.7 | 1 |
| The Negress | 30 | 243 | 0.3% | 1.7 | 1 |
| The Veiled Woman | 16 | 151 | 0.2% | 1.1 | 1 |
| The Wife | 15 | 95 | 0.1% | 0.7 | 2 |
| The Clerical Gentleman | 11 | 87 | 0.1% | 0.6 | 1 |
| The Daughter | 12 | 81 | 0.1% | 0.6 | 2 |
| Another Youth | 10 | 63 | 0.1% | 0.5 | 1 |
| The Envoy’s Daughter | 6 | 58 | 0.1% | 0.4 | 1 |
| The Tweeded Gentleman | 7 | 42 | 0.1% | 0.3 | 1 |
| The Envoy’s Wife | 6 | 38 | 0.1% | 0.3 | 2 |
| A Voice | 4 | 31 | 0% | 0.2 | 1 |
| A Maiden | 5 | 29 | 0% | 0.2 | 1 |
| The Temple Youth | 3 | 29 | 0% | 0.2 | 1 |
| The Voice | 3 | 29 | 0% | 0.2 | 1 |
| Voices In The Temple | 3 | 29 | 0% | 0.2 | 1 |
| The Snake | 3 | 27 | 0% | 0.2 | 1 |
| His Daughter | 2 | 20 | 0% | 0.1 | 1 |
| 2 | 20 | 0% | 0.1 | 1 | |
| A Girl’s Voice From The Egg | 2 | 16 | 0% | 0.1 | 1 |
| The Egg | 2 | 16 | 0% | 0.1 | 1 |
| A Youth | 3 | 15 | 0% | 0.1 | 1 |
| Incredulous Voices | 2 | 14 | 0% | 0.1 | 1 |
| Another Maiden | 2 | 12 | 0% | 0.1 | 1 |
| A Woman’s Voice | 4 | 10 | 0% | 0.1 | 2 |
| All The Young | 3 | 10 | 0% | 0.1 | 1 |
| The Tunic Bearer | 1 | 10 | 0% | 0.1 | 1 |
| Confucius’s Voice | 2 | 9 | 0% | 0.1 | 1 |
| Several Youths | 1 | 9 | 0% | 0.1 | 1 |
| Several Young People | 1 | 8 | 0% | 0.1 | 1 |
| The Woman’s Voice | 1 | 8 | 0% | 0.1 | 1 |
| The Gentleman | 1 | 7 | 0% | 0.1 | 1 |
| On All Hands | 1 | 6 | 0% | 0.0 | 1 |
| The Simple-Lifer | 1 | 6 | 0% | 0.0 | 1 |
| Eve’s Voice | 1 | 4 | 0% | 0.0 | 1 |
| The Young Woman | 1 | 4 | 0% | 0.0 | 1 |
| A Chinese Voice | 1 | 3 | 0% | 0.0 | 1 |
| The Negress’s Voice | 1 | 3 | 0% | 0.0 | 1 |
| A Man’s Voice | 1 | 2 | 0% | 0.0 | 1 |
| Adam’s Voice | 1 | 1 | 0% | 0.0 | 1 |
Who speaks in which scene
Darker cells mean more words in that scene. Use it to plan rehearsal calls, or to see how long an actor waits between entrances.
| Role | 1.1 | 1.2 | Pt 2 | Pt 3 | 4.1 | 4.2 | 4.3 | Pt 5 |
|---|---|---|---|---|---|---|---|---|
| The Elderly Gentleman | ||||||||
| Zoo | ||||||||
| Franklyn | ||||||||
| Eve | ||||||||
| Lubin | ||||||||
| Burge-Lubin | ||||||||
| Burge | ||||||||
| The Archbishop | ||||||||
| Confucius | ||||||||
| Cain | ||||||||
| Adam | ||||||||
| Pygmalion | ||||||||
| Conrad | ||||||||
| The She-Ancient |
The longest speeches
| Speech | Scene | Words | Lines |
|---|---|---|---|
| The Elderly Gentleman: “Yes, that, as you call it so flippantly. Are y…” | Part 4, Act 1 | 711 | 72 |
| Lilith: “They have accepted the burden of eternal life.…” | Part 5 | 679 | 68 |
| Eve: “Peace, peace, you two fools. Sit down and be q…” | Part 1, Act 2 | 428 | 43 |
| The Elderly Gentleman: “I have the utmost respect, madam, for the magn…” | Part 4, Act 1 | 428 | 43 |
| Eve: “Of the coming true of your dreams and mine. Of…” | Part 1, Act 2 | 421 | 43 |
| Cain: “Whose fault was it that I killed Abel? Who inv…” | Part 1, Act 2 | 330 | 33 |
| The Envoy: “Well, about this colonizing plan of yours. My …” | Part 4, Act 2 | 315 | 32 |
| Franklyn: “That is only the first step of the Fall. Adam …” | Part 2 | 305 | 31 |
| Eve: “What! You dare come here boasting about that g…” | Part 1, Act 2 | 303 | 31 |
| Arjillax: “Just so. Well, the Archangel Michael was of my…” | Part 5 | 279 | 28 |
Small roles that can be doubled
These pairs of small roles never speak in the same scene, so one actor could play both. Check entrances and silent appearances in your script before you cast it this way.
- Burge and The Archbishop
- Burge and Confucius
- Burge and Cain
- Burge and Adam
- Burge and Pygmalion
- Burge and The She-Ancient
- Burge and The Serpent
- Burge and Mrs. Lutestring
- Burge and Napoleon
- Burge and The Envoy
- Burge and Barnabas
- Burge and Acis
Questions actors ask
Who has the most lines in Back to Methuselah?
The Elderly Gentleman, with about 827 lines and 7,308 words, 10.5% of everything spoken in the play. Zoo is next, with about 506 lines (6.3%).
How long is Back to Methuselah?
The full text has 69,551 spoken words, about 497 minutes at 140 words a minute before pauses, scene changes, and cuts. Most productions cut the text, so running times vary.
How many speaking roles are in Back to Methuselah?
77 named roles speak in this edition, across 8 scenes. 57 of them have less than 2% of the words, which is why small parts are often doubled.
Keep reading
- You Never Can Tell: every role by lines, words, and stage timeGeorge Bernard Shaw. Line counts, scenes, and the longest speeches.
- Pygmalion: every role by lines, words, and stage timeGeorge Bernard Shaw. Line counts, scenes, and the longest speeches.
- Fanny’s First Play: every role by lines, words, and stage timeGeorge Bernard Shaw. Line counts, scenes, and the longest speeches.
- Heartbreak House: every role by lines, words, and stage timeGeorge Bernard Shaw. Line counts, scenes, and the longest speeches.